We analyze the recorded repertoire of a diverse range of genres' such as rock, pop, R & B, hip-hop, jazz, blues, country, and electronica, as time permits and according to student needs. This class also arms students with a working knowledge of the recording techniques of specific genres of popular music. In preparation for the third year, students are asked to consider possible distribution modes for the final product and a range of identifiable publics.
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Working first in small groups and then individually, students gain practical experience by recording and mixing sound with professional artists in the studio, under careful supervision. To that end, this course instructs students in the selection of appropriate musical material, arrangement of the material, the construction of the sound in the studio, and the artistic ensemble of the recorded sound on the completed album. By the end of the course, students have the necessary skills to communicate with and produce excellence from musical performers in the recording studio. This course provides students with the creative skills and theoretical information to work successfully with artists in the recording studio toward the conceptualization and completion of a short EP or full-length LP. Prerequisite: REMU-UT 1041 Engineering the Record II, with a grade of C or better. REMU-UT 1216 The Business of Music: Creativity, Innovation, & Entrepreneurship (SPRING ONLY) The course will use the David Moulton's Golden Ears CDs and The Producer as Composer - Shaping the Sounds of Popular Music by Virgil Moorefield as texts. Weekly drill sets will include: A/B Drills, comparing original recordings with altered versions, identification of time delay, and the onset of reverberation. Using pink noise, students will learn to identify frequency ranges, boosts and cuts in the theoretical as well as in the practical using music. Through listening exercises, students will develop critical listening skills.
Critical listening skills take years to develop and this course is designed to speed up the process of creating "Golden Ears" and give the student a head start. In order for the budding producer to realize their potential in the studio, the ability to describe what is being heard and the skill to articulate possible audio issues is a necessity. Clive Davis Institute majors only. Pre-requisite: REMU-UT 1106 Musicianship: Theory and Construction, with a grade of C or better. REMU-UT 1215 The Business of Music: Industry Essentials (FALL ONLY) Throughout, we look at approaches to crafting successful oral and written arguments about popular music with clear, compelling writing about sound. Along the way, students become well versed in the history of 20th and 21st century recorded music, and in various music genres and styles and we place the art and business of creating and selling recorded music in historical, political, cultural and social context. We study how and why the fields, fiefdoms, and empires built by these impressive and sometimes controversial icons have transformed the course of popular music.
We recount the stories and make arguments about famous executives, managers, producers, performers DJs, and journalists/publishers from the dawn of the music business until the present day. This 14-week class introduces students to the history of innovative entrepreneurs and institutions in American recorded music.